Posts Tagged: books


12
Nov 09

Future of the book, part whatever

Two universities running pilot programmes for the Kindle DX as a textbook reader have opted out of the divice. Reason? Accessibility issues. That is, because not all books will be available with text-to-speech capacity, there will be no guarantee that they’ll be useful to blind students.

Based on my very limited first hand experience with these things, this is a real disappointment. The alternative to electronically reading e-texts is endless, expensive and labor intensive OCRing of printed works, which generally destroys books (i.e., their binding has to be cut). This would have saves a tremendous amount of grief for visually impaired students. It’s a real shame.

More broadly and shallowly, it leaves armies of undergrads carting around overpriced textbooks that, most often, no one thinks are anything better than barely adequate to their purpose.  Wait for the next round, I guess.


17
Oct 09

What is(n’t) wrong with book reviews

Huffington Post has advice for book publishers here on how to appear on said electronic publication. First, what it aint:

This is NOT a book review section. Let me say that again, because I know about 72,000 publicists just plotzed because they have no idea what to do other than ask for a review. Huffington Post Books is not a review — there’s a reason those sections in newspapers are dropping like flies. Book reviews tend to be conversation enders, and when you’re living in the age of engagement, a time when people are looking for conversation starters, that stance gets you nowhere.

What, then, if not reviews?

Blog, blog, blog, blog, blog. You, your authors, your authors’ friends. And especially editors. Yes, you can come and blog about the books you love, the ones you are publishing, just make it clear to the reader who you are and what your relationship to the book is. Look. At some point, you got that manuscript or proposal in from an agent, you fell in love with it so madly that you were willing to face the firing squad (aka acquisition board) in order to sign up the book. To get past that hurdle you had to be a hell of an advocate, and you had to believe deeply in the author you were asking the company to invest in–because your job depends on your instincts being right.

Well, I suppose I’m all for advocacy, but is there really no room for critical assessment? Are they really asking for nothing but post after post of yes-man promotional content? If reviews were conversation enders, would folks like me link them–like I did recently (if, in that case, only to mock)?

Perhaps I should declare a bias here–one of those things publishing industry blogs probably need to do–insofar as my own first published works of any kind were book reviews. Since they weren’t great, I’ll throw in a free argument for these folks: bad reviews are beyond useless. They’re uninformative, misdirecting, and generally unhelpful. But then, so is bad anything in print.

I suppose their argument is at least consistent. The official HuffPost line on this sort of thing is that if something’s amiss in mainstream journalism, more blogging will cure it. If that creates problems of its own, well, clearly we need more of the same. I’m reminded of one-note economic policy types who, when things are good, want to avoid (say) inflation at all costs. When things go sour, what do they worry about first?

Of course, there’s room for this sort of thing. God wouldn’t have made press releases otherwise. But you’ll note who’s supposed to read those. And what they do for a living. And speaking of those press releases, what exactly do you expect publishers’ and editors’ and even authors’ blogs to look like? Thoughtful land critical assessments of their own work? Reasoned advice on what books to buy and not?

In any event, if there’s something wrong with a sustained critical assessment of books, why are books themselves that much better? Books are (non-fiction, at any rate, and often fiction as well) sustained presentations of a viewpoint or critical stance. Why would the Post want to involve itself with these things if that sort of long–or even short–form one-view writing is a bad thing?

PS: And while I’m at it, cutting and pasting from Huffington Post automatically adds a plain-text link to your clipboard. This is annoying, trite, and slowes me down (like I wasn’t going to link to it anyway). They really ought to rethink this.


13
Oct 09

What the Generals are Reading

George Packer has the skinny on what pages Obama and his offier corps are turning at the late stages of two wars. Packer adds a caveat:

It’s understandable that Vietnam books—and not books on the War of the Roses—should be circulating through the Obama Administration. But Vietnam invites selective and tendentious reading, which leads to battles of reading lists, which is apparently what’s going on right now between the White House and the Pentagon. There’s a reason why certain White House advisers gravitated toward Goldstein, while certain officers are hung up on Sorley. It might be better for these bookish public servants to pore over histories of World War I, or Thucydides’ “History of the Peloponnesian War.” Those conflicts are remote and yet suggestive enough that they are more likely to serve as indirect but useful guides to thought and action than to be treated as blueprints. The rule for Administration readers should be: no books that you already know will confirm the views you already hold. If that’s asking too much, at least the advisers and officers should be required to exchange volumes, and read what their policy opponents are reading, before the book group meets and decides the fate of the world.

Perhaps they might take turns bringing baked goods as well.


5
Oct 09

Authorial intent

The ‘decentered’ author of postmodern though offers, I take it, the chance to read Shakespeare (or Milton or Stephen King) without much regard for what Shakespeare or Milton or King thought. I suppose this can seem liberating in its way, but are there limits? Posthumous publication tests, I would think, anyone’s degree of commitment to abandoning authorial intent. WSJ has a nice rundown on a slew of unpublished books about to go to press. Example:

Vladimir Nabokov instructed his family to burn his final novel, “The Original of Laura,” after his death. He had sketched out the novel on 138 index cards, a process he used to write “Lolita” and other works. Nobody, not even Mr. Nabokov’s son and literary executor, Dmitri Nabokov, knows the exact order the author intended for the cards.

….

The publisher faced a new dilemma: “How do you take 138 note cards and turn them into a book?” said Chip Kidd, Knopf’s associate art director, who added that the cards “go in consecutive order for a good bit, until all of a sudden they don’t anymore.”

To highlight the fragmentary nature of the book, Mr. Kidd came up with an unusual design. “The Original of Laura” will contain photographic reproductions of the index cards, along with typed transcriptions. The cards will be perforated around the edges so that readers can tear them out and shuffle them, mimicking Mr. Nabokov’s composition process.

I suppose we’ve been doing this a long time. The kitchen sink version of the argument might start with the Epic of Gilgamesh or the Presocratics. But seriously, index cards?! They’re publishing a book of index cards? Don’t we have to give up the ghost on these things eventually? Well, apparently not.

Hat Tip: ALDaily


2
Oct 09

Rebirth of the book

Well, that’s how it looks to me. After years of trashy software, Microsoft seems to have hit one hell of a cool gadget. More here.


1
Oct 09

After Books

Thanks to the good folks at Sign and Sight for a few words on the Death of the Book–not, we’re told, the harbinger of doom it’s been taken for.

Through nostalgia-tinted spectacles, the book might seem to be losing its soul – but if we squint into the future, it seems to be freeing itself of its body. And lined up to help this great escape are, believe it or not, the same people who give their all to have their names on the front covers of printed works. For the writers as authors (and their partners, the readers) the era of the disembodied book is opening up unknown dimensions – if they can do what culture workers have always done when offered new techniques and opportunities for development. It is their “quills” that will make the book of the future and which will decide the future of the book.

Not exactly a bright and clear image of things to come, but soothing words for those of us who won’t entirely miss dusty stacks. Still, has anyone thought about path dependency here? What the hell will become of the miles upon miles of books we’ve already got warehoused on campuses?


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